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Campanologie

by Frederic L Epee

supported by
Thierry ''teepee''Prévost
Thierry ''teepee''Prévost thumbnail
Thierry ''teepee''Prévost Frédéric L'Epée découvre des structures, des combinaisons, des contrastes, des formules (Dans le sens formules chimiques.) Une résonance à la Robert Fripp, version acousmatique. La discipline et la liberté réconciliées.
Frédéric L'Epée discovers structures, combinations, contrasts, formulas (In the sense of chemical formulas.) A Robert Fripp-like resonance, acousmatic version. Discipline and freedom reconciled.
JP Rossi
JP Rossi thumbnail
JP Rossi This album takes you on an unexpected, surprising and delicious ride through ambient and experimental soundscapes. Never heard anything like this before, noisy and melodic at the same time, and that makes this music a must-hear for any serious music lover.
Bridges are built between influences of Reich, Eno, Lanois, Sonic Youth and a bunch of classical XXth century composers, all executed on a light "improvised" mode. Favorite track: Alter.
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Overrun 05:02
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Alter 11:20
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First Blink 01:46
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Morgen Gruß 00:30

about

This album is the result of the experimentations I have carried out about and around the composition of my piece for electric guitar quartet, Etude Campanologique n°3.

It is the parallel album to the compositions album The Empty Room.

I use, besides normal play on natural harmonics, a bottleneck operated with the right hand, notes being plucked and tapped with the left hand, creating "bell like" complex harmonics patterns.
Among a rather big amount of recordings and improvisations, I selected a few of them that I found proper to further developments and elaborated these nine « frames » pieces.
Cover photo: © Florence Jamart

credits

released July 12, 2019

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about

Frederic L Epee Berlin, Germany

Frédéric L’Épée is a french composer and guitarist of the bands Shylock (70's), Philharmonie (90's) and Yang (present time).

He is also performer and contemporary music composer. He lives in Berlin.

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